The Viennese pianist Anika Vavic, a native of Belgrade, is passionate about discovering the inconsistencies and ambiguities of the scores she illuminates at the piano, powerfully yet sensitively. She always strives to live up to the creed of her teacher and mentor, the immortal cellist Mstislav Rostropovich: 

 “Music is medicine, and we musicians are doctors and priests – I believe it is our job to ‘heal’ our audience from the trivialities of everyday life, to move and inspire them.” 

 Anika Vavic works regularly with conductors such as Paavo Järvi, Hannu Lintu, Jun Märkl, Jukka-Pekka Saraste, Stefan Blunier, Mirga Grazinyte-Tyla, Kirill Karabits, Andres Orozco-Estrada, Markus Poschner, Simon Gaudenz, Yutaka Sado and Enrico Calesso. Valery Gergiev, Kristjan Järvi and Jorma Panula are further musical partners from recent years. 

 Anika Vavic marked her debut with the Bamberg Symphony Orchestra, conducted by Jakub Hrusa, showcasing Rodion Shchedrin’s 4th Piano Concerto. In a poignant tribute to the centenary of Alexander Scriabin’s death at the Imagodei Festival, she mesmerized the audience with her rendition his Mysterium attemting to replicate his ”mission” to merch all senses through a unique combination of puppet theatre and dance. 

Anika Vavic made a notable return to the Zagreb Philharmonic and the Südwestdeutsche Philharmonie in Konstanz, presenting Prokofiev’s Piano Concerto No. 3. She also revisited familiar stages at the Piano Festival Ruhr, the Carinthian Summer Festival, Taggenbrunner Festival, and the Vienna Musikverein. Her musical journey extended to Oslo, where she delivered captivating performances and marked her debuts with the Jena Philharmonic Orchestra in Germany and Switzerland. 

 Anika Vavic has been announced to the official Steinway Artist and had an honour to perform at the opening ceremony of the Steinway Flagship store in Vienna.  

 The coming season will be dedicated to Frederic Chopin´s music, since Anika Vavic will be perfoming his solo and orchestra works at her debut at the Vienna State Opera´s series of ballet performances of the “Lady of the Camellias” by John Neumeyer together with the members of the Vienna Philharmonic Orchestra. She will also return to Germany, Serbia and Croatia perfoming Chopin´s Piano Concerto, as well as to Great Britain and Asia performing as a soloist and together with orchestras.  

 Among the highlights of recent years are her performances with the Mariinsky Orchestra, with which she gave the first Russian, Austrian and Finnish performances of Shchedrin’s Piano Concerto No. 4, in addition to the work’s German premiere with the Staatskapelle Weimar. She has performed with the London Philharmonic Orchestra under Vladimir Jurowski as part of the BBC Proms, and at the Enescu Festival in Bucharest performing Prokofiev`s Piano Concerto No. 3, and with the Radio Symphony Orchestra Vienna performing Leonard Bernstein`s Age of Anxiety. She also gave concerts with the Konzerthaus Orchestra Berlin and the Gustav Mahler Jugendorchester, playing Rachmaninoff’s Rhapsody on a Theme by Paganini, and with the Helsinki Philharmonic Orchestra, playing Mozart’s Piano Concerto K. 467 and the premiere of the cadenzas by Kalevi Aho, which the composer dedicated to her. 

A Beethoven programme took her to the Ruhr Piano Festival in the pandemic year of 2020 for one of the first post-lockdown public concerts in Germany. A recording of this evening has been released on CD and broadcast by major German and Austrian radio stations. 

The first public post-lockdown concert in Austria took place in Anika Vavic’s garden – soon growing into a series of events featuring poetry and music, with programmes for adults and children. The festival “Kunst am Nussberg” was founded which entered its 4th season in 2023. 

Anika Vavic has performed at the “White Nights” in St. Petersburg, Mikkeli Festival in Finland, Ruhr Piano Festival, Schubertiade Schwarzenberg, Grafenegg Festival, Heidelberger Frühling, Styriarte Graz, Klangbogen Vienna, Beethoven Easter Festival in Warsaw, Carinthian Summer, Istanbul Music Festival and the Sommets Musicaux de Gstaad. 

Anika Vavic regularly appears at the Musikverein and Konzerthaus in Vienna. Recital tours have taken her to New York’s Carnegie Hall, Washington´s Kennedy Center, London’s Wigmore Hall, the Concertgebouw Amsterdam, Cologne’s Philharmonie, the Cité de la Musique in Paris, Luxembourg’s Philharmonie, Barcelona’s Palau de la Música, Konzerthaus Berlin and to the Baden-Baden Festspielhaus. 

Her chamber music partners include Gautier Capuçon, Rainer Honeck, Patricia Kopatchinskaja, Caroline Widmann, Claudius Popp, Matthias Schorn, Sebastian Bru, the Quintette Aquilon, the Artis Quartet as well as Renaud Capuçon and Daniel Müller-Schott. 

At the age of 16 Anika Vavic moved to Vienna where she studied with Noel Flores at the University of Music and Performing Arts. She also received important impulses from Elisabeth Leonskaja, Lazar Berman, Oleg Maisenberg, Alexander Satz and Mstislav Rostropovich. The winner of the Second Steinway Competition in Vienna and its Special Prize for the best Haydn interpretation also received scholarships from the Herbert von Karajan Center and the Gottfried von Einem Foundation. In 2002 the Austrian State bestowed the Women’s Art Prize in the music category upon her. 

Anika Vavic’s repertoire includes works of contemporary music, e.g. the piano concerto by the Chinese-Austrian composer Shih Requiem for Piano, Strings and Membranophone, which is dedicated to her, as well as his Piano Quintet. In 2005 the pianist took on the solo in the world premiere of Johannes Maria Staud’s Peras at the Ruhr Piano Festival. Leonard Bernstein, Kalevi Aho, Vlastimir Trajkovic, Galina Ustvolskaya, Gia Kancheli, Valentin Silvestrov, Henryk Gorecki and especially Rodion Shchedrin are among her favourite contemporary composers. 

“Her brilliant, powerful playing has a certain tendency towards the orchestral, a trait familiar especially from Russian pianists. Her almost classical instinct for form prevents her from losing herself within the river of sounds. A strong, impressive CD which stands out from the multitude of new appearances.”  Die Bühne 

 “Stupendous creative intelligence and expressive power. The recital CD produced in her adopted home of Vienna is full of energy and wit, but never lets profound intimacy out of sight.”  Kieler Nachrichten 

11/ 2023